Jake Pavlica
Composing the Self
2/21/19
Open Letter 2nd Draft
You, sitting in the back of the class daydreaming about the thing that never leaves your mind. You are in your own world and you hear and see things that no one else could possibly imagine. If this sounds like you, then you and I are one and the same.
No matter the kind of art you want to explore, know that it is within your power to make it reality. I spent a great deal of my young life thinking I was alone; that only I looked out the class room window thinking up musical ideas and hoping there was someone out there who felt the way I did. I probably would have stayed that way, trapped in my own creative purgatory, had I not pushed myself to seek out others like me. You may think that you don’t matter, or that no one wants to hear what you have to offer; but I’m here to tell you that your dead wrong. Before I found my voice and my people I was completely isolated. I wanted to play music to attain some sort of creative purpose and to meet others who had he same goals. I was so unsure of what I had to offer and what I could possibly bring to a band that was special. On top of that I had no idea how to maintain a healthy creative life along with academics and other responsibilities.
The first step is finding a way to meet people like you. For me this was through a music class in my high school. It was guitar class and I had no idea how to play guitar, nor did I even want to. Since the class was an intro course I figured the class could use some rhythmic time keeping, so I offered my services as a drummer to the class. Before long I had found four guys, all of with different influences, who had aspirations to from a band. I was wary at first, as I did not know if our goals were comparable. As we grew I saw that it was our differences that made the music interesting and most importantly; enjoyable to play.
I formed a band with them and we practiced diligently for months and months after school, crafting material. Even then, we were not sure that what we were doing was good in the slightest, but we still did it for ourselves. The profound release of being in unison yet individually important in a unit was unlike anything I had ever felt. After months of sweaty, argument filled rehearsal we got a gig at our school open mic night and we were awful. This did not stop us though, it was only another lesson under our belt to push us forward and allow ourselves to grow.
As time went on and the band seemed to be in a rut, I thought that we would never play for an audience. I soon realized that my scope was too small and I was focusing so hard on doing something with this project that I failed to realize that I did not only have to work with one project. A friend of mind had started a band who’s drummer was moving so I saw this as an opportunity to cut my teeth. In this new band I found an even greater difference in influence that diversified my playing.This introduced me to a whole community of artists. Everything from painters, photographers, musicians, show promoters, light designers, and clothing designers all coming together to play local shows. It was a world I had never seen before and one in which I had never felt more apart of something, as vast as it was. Before long I had befriended a dozen other people wither in bands or just fans of music who would frequented to these underground functions. A true scene of artists, like a intricate tapestry of people from all different backgrounds and influences coming together in perfect harmony. These collectives do exist, and the doors are always open for fresh voices.
So to you, dreamy eyed artist, it is a vast ocean out there and there is bound to be someone, if not a group of people that can help you in your journey. Find your calling and actualize the sounds and colors in your head. It is scary, and it should be. You are taking a step into becoming who you want to be, but do not resist it. Allow yourself to trust in others and work with others. The art of compromise and mutual achieving is the name of the game, but there are no rules. You set the boundaries for what you want to do and who you want to work with, and there are those out there who want to hear what you have to say. The moment is right now and there will never be a better time. Use the that thing that you think about that you can’t ever shake from your thoughts to pump new blood into an industry that needs new artists and new voices. Connect with those around you and connect with people who can relate to you.
This letter is very inspiring! I wouldn’t consider myself much of an artist but I am still inspired to chase after my dreams and do the things I’ve always been hesitant to do because of this. I like your first section of the letter that talks to a direct audience and really draws in the reader. I feel like everyone struggles with an identity crisis in a way when they can’t express themselves creatively, and you did a great job of pin pointing that struggle. Your personal experience is also inspiring and the motivation is very clear in your writing. Great job!
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Great work! Your first paragraph is extremely gripping and brings the reader in – despite whether they are are an aspiring artist or not. I do feel, however, that the connection between the idea of sitting in the classroom and pursuing art is a bit unclear – maybe you could add another sentence in between these two parts to clarify? It is explained in the second paragraph how the artistic mind often sees things in a whole new way, but maybe consider adding a sentence in between the end of the first paragraph and the second to connect the thought? Or even just after your sentence about “we are one and the same” you could add a sentence after it saying “an artist” or something? Just an idea! I LOVED your second paragraph, because again – it is something that artists can totally relate to (I can say being an artist myself) but also anyone really. It also is a way for the audience to understand more where your passion for music comes from. This is a very interesting piece and your story is very cool! When reading your first draft, I didn’t grasp how much of your own experience you would be including in your piece but I love that you did that, because you were really able to bring me, as the reader, in. Your targeted audience was very clear throughout your letter, especially at the end when you pointed them out as the “dreamy eyed artist”. Overall, fantastic work!
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Great peer comments here that both validate your direction so far and also offer some possibilities to consider. One thing that comes across to me as a reader is wanting to know a bit more about the industry that needs new blood, new voices. I think perhaps your mention of this is across-the-board we need new blood and new voices (which is true!) but within the music industry itself, where do you see new blood and new voices most needed today? (I know you had mentioned something about the lack of bands – or the lack of quality bands – or something along those lines. What about a sound and a message and an energy coming from your generation? The 1960s had their sound and their message and their energy. So did the 1970s. So did the 1980s… and etc. Again, this is true of all landscapes – and this can be a point that speaks to the broader audience in the end – but I’m just wondering what you, as a musician, would love to see come together in your artistic field today?
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